Drive My Car (ドライブ・マイ・カー) 179 mins

  • Drive My Car
  • Drive My Car
  • Drive My Car
  • Drive My Car
  • Drive My Car

Starts Thu 10 Feb at:
Luna Leederville

Ryūsuke Hamaguchi (Wheel of Fortune and Fantasy; Asako 1 + 2) returns with another enigmatically melancholy tale of human desire, loneliness and love – one that nabbed Cannes’ Best Screenplay award.

Ageing theatre director Yūsuke is still grieving the loss of his wife two years earlier when he is asked to direct Uncle Vanya at a festival in Hiroshima. To get there, he needs someone to drive him and his red Saab 900 across the country. Misaki, a quiet twentysomething recommended by a friend, takes the wheel, and their journey through Japan slowly prompts a series of confessions from her passenger.

Based on the eponymous short story by Haruki Murakami, Hamaguchi’s Cannes Best Screenplay winner is a poignant, moody triumph that channels his previous films with its intimate focus on a slowly unfolding, ultimately reparative relationship between two seemingly mismatched people. Warm and observant, with a memorably vivid visual style that evokes Wong Kar-wai and a powerfully contained performance by Hidetoshi Nishijima as Yūsuke, Drive My Car is another unique and stunning drama from one of Japan’s master storytellers of modern relationships.

Travelling the bluish hues of Hamaguchi’s landscapes and settings, the bright red car strikes the eye and the imagination — a special host to memories and sorrows, listener to hundreds of lines from plays recited by Kafuku like ritual litanies, and the special central character of a special movie.

Japanese language film with English subtitles

★★★★★ Los Angeles Times
★★★★★ The Telegraph 
“Holding his emotions in check quite superbly, [Nishijima] is a perfect vehicle for the film's subtle exploration of the debilitating forces that grief can unleash.” South China Morning Post

"Ryûsuke Hamaguchi reaches a new grandeur with this engrossing adaptation about a theatre director grappling with Chekhov and his wife’s infidelity"
The Guardian
"...impressively internalized performances, each conveying hidden oceans of anguished intensity via charged silences, haunted stares and opaque dialogue."
The Hollywood Reporter