The Eyes of Tammy Faye 126 mins

  • Eyes of Tammy Faye, The
  • Eyes of Tammy Faye, The
  • Eyes of Tammy Faye, The
  • Eyes of Tammy Faye, The
  • Eyes of Tammy Faye, The
  • Eyes of Tammy Faye, The

Now showing at

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Saturday, 29 January
10:40AM 4:00PM 6:40PM 9:15PM 
Sunday, 30 January
10:40AM 4:00PM 6:40PM 9:15PM 
Monday, 31 January
10:40AM 4:00PM 6:40PM 9:15PM 
Tuesday, 1 February
10:40AM 4:00PM 6:40PM 9:15PM 
Wednesday, 2 February
10:40AM 4:00PM 6:40PM 9:15PM 

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Saturday, 29 January
10:30AM 1:00PM 6:20PM 8:50PM 
Sunday, 30 January
10:30AM 1:00PM 6:20PM 8:50PM 
Monday, 31 January
10:30AM 1:00PM 6:20PM 8:50PM 
Tuesday, 1 February
10:30AM 1:00PM 6:20PM 8:50PM 
Wednesday, 2 February
10:30AM 1:00PM 6:20PM 8:50PM 

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Thursday, 3 March
7:30PM 

Jessica Chastain stars as flamboyant televangelist Tammy Faye Bakker in this humanising portrait of the rise and fall of the Bakker network empire.

The Eyes Of Tammy Faye is an intimate look at the extraordinary rise, fall and redemption of televangelist Tammy Faye Bakker. In the 1970s and 80s, Tammy Faye and her husband, Jim Bakker, rose from humble beginnings to create the world’s largest religious broadcasting network and theme park and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing, and her eagerness to embrace people from all walks of life. However, it wasn’t long before financial improprieties, scheming rivals, and scandal toppled their carefully constructed empire.

Critics are saying...
“Firing up the Oscar race for Best Actress, a virtuoso Jessica Chastain raises up this biopic about televangelist Tammy Faye Bakker by redeeming her reputation as a cultural joke in clown makeup and finding the soul beneath the sparkle.” ABC News

“Jessica Chastain delivers an Oscar-worthy performance in the title role, and Andrew Garfield is nothing less than sensational as her soft-spoken, indifferent, and cloyingly ambitious preacher husband Jim.” Observer

“The Eyes of Tammy Faye gives viewers an absorbing, amusing and provocative chance to rethink yet another train wreck who turned out to be, of all things, human.”  Washington Post 

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