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104m
It Was Just an Accident
Book Tickets
No upcoming sessions
Synopsis
Winning the Palme d’Or at the 2025 Cannes Film Festival, Jafar Panahi’s revenge thriller is both a broadside and real-world triumph against authoritarian oppression.
When a traveller with a distinctively squeaky prosthetic leg arrives at his auto-repair shop one night, Vahid is convinced that it’s the officer who tortured him in prison years ago. Although he was always blindfolded when it happened, he’d recognise the sound of that leg anywhere – and so, seizing the opportunity for revenge, Vahid abducts the man and transports him to the desert, intending to bury him alive. But before he can do the deed, Vahid’s conscience halts him: what if he’s kidnapped the wrong person? Over a frenzied 24 hours, he sets out to find other former prisoners who can verify the man’s identity, amassing an unlikely group of co-conspirators along the way, each of whom carries their own motivation for vengeance.
Previously subjected to lengthy filmmaking and international travel bans and forced to film in secret even after his release, Iranian master director Jafar Panahi (No Bears) claimed cinema’s most coveted prize at Cannes for this incendiary thriller. Combining pitch-black gallows humour and devastating plot twists with elements of real stories Panahi heard from fellow prison inmates, this rage-filled rallying cry against state-sanctioned censorship and violent oppression courageously interrogates the morality of retribution.
Screening at Luna Leederville from January 29
Opening Date
Thursday, Jan 29, 2026
Rating
CTC
Length
104m
Genre
New Release
Reviews
It’s a beautifully written and executed work … powerful, gripping and generous.
Extraordinary. Every moment of it attests to the work of a master.
Panahi is one of the most distinctive and courageous figures in the world of cinema.
A blistering, beautifully directed movie.
Astonishing. It takes your breath away.
A powerful moral thriller about the uncertainty of the truth...and the choice between revenge and mercy.
“Subtly plotted like a good thriller, the movie slowly but surely builds into a stark condemnation of abusive power and its long-lasting effects.”










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