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Synopsis

Park Chan-wook’s (Decision To Leave, The Handmaiden, Oldboy) latest film transplants a crime novel by the great Donald E. Westlake — whose work supplied source material for such films as Point Blank and Payback — to present-day South Korea, where seniority counts for little and looking for employment proves to be a cutthroat business.

Man-soo (Lee) had it all: a loving wife, two talented children, two happy dogs. He even bought the beautiful forest-enclosed house where he grew up. Then, after 25 years of dedicated work for Solar Paper — where he was awarded Pulp Man of the Year in 2019 — Man-soo is suddenly given the axe.

Soon he is falling behind on his mortgage payments and his wife Mi-ri (Son Yejin) insists they put the house up for sale. Man-soo is desperate to scoop a coveted position with Moon Paper, but he knows there are other job seekers who match his pedigree. So he hatches a plan: invent a phony paper company, reach out to each of his rivals, lure them into a meeting… and, one by one, dispatch the competition.

Brilliantly scripted by Park Chan-wook, Lee Kyoung-mi, Jahye Lee, and Toronto’s own Don McKellar, No Other Choice is a chilling satire on workplace politics and ruthless status-seeking. In Park Chan-wook’s world, given the right set of circumstances, anyone can be driven to murder. It’s a tough job, but someone’s got to do it.

Screening at Luna Leederville and Luna on SX from January 15.


Opening Date

Thursday, Jan 15, 2026

Rating

CTC

Length

139m

Genre

New Release


Reviews

The latest exhibit in the mounting body of evidence suggesting Park Chan-wook may be the most elegant filmmaker alive.
Jessica Kiang, Variety
With No Other Choice, Park Chan-wook reasserts himself as one of modern cinema’s true masters.
The Cinematic Reel
The film is a zany, all-out crowd-pleaser from Mr. Park, who exhibits a rare genius with the camera throughout.
Wall Street Journal
★★★★ A sensational state-of-the-nation satire from Park Chan-wook... brings his usual effortlessly fluent, steely confidence.
The Guardian

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