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104m
The Great Arch
Book Tickets
No upcoming sessions
Synopsis
A captivating Claes Bang (The Square) leads a superb ensemble cast in director Stéphane Demoustier’s darkly comic and thoughtprovoking new film, as an idealistic architect whose quest to build an ambitious landmark in Paris triggers unforeseen consequences.
1982. President François Mitterrand has launched an international competition to design the flagship project of his term: the Great Arch of La Défense, a building to match and complement the Louvre and the Arc de Triomphe. To the surprise of everyone, the commission is won by an unknown 53-year-old from Copenhagen, Otto von Spreckelsen. An outsider with only a few modernist churches to his name, the stunning submission – taking the form of a perfect white cube – becomes the talk of the capital.
Spreckelsen and his wife Liv (the marvellous Sidse Babett Knudsen) arrive in Paris to commence work, overseen by the project’s shrewd managing bureaucrat (Xavier Dolan). However, the purity of Spreckelsen’s design is quickly tested not only by budgetary constraints but the vicissitudes of politics, forcing the couple to consider whether the pursuit of perfection is worth the emotional and physical toll.
Inspired by remarkable true events, the near-mythic story of THE GREAT ARCH is sure to stir conversation. It’s one of France’s best films of the year.
Festivals and Awards
2025 Cannes Film Festival | Un Certain Regard
2026 César Awards | Nominee: Best Supporting Actor x3, Best Actor, Best Adapted Screenplay, Best Director
2026 César Awards | Winner: Best Special Effects, Best Production Design
French with English subtitles
Screening at Luna Leederville and Luna on SX from October 1.
Opening Date
Thursday, Oct 1, 2026
Rating
CTC
Length
104m
Genre
Drama History
Reviews
Claes Bang delivers a compelling performance in this thoughtful drama about art, ambition, and compromise. Stéphane Demoustier turns an architectural landmark into a fascinating reflection on power, creativity, and personal sacrifice.
A sobering exposé of the supposed Gallic cult of the artist.
The film is both a monument (pun not intended) to a great and perhaps overlooked visionary and a funny indictment of the system that wanted him to do his thing but not too much of it.
Stéphane Demoustier delivers a biopic that subverts the grandeur of a historical monument to remind us of the power that the merciless capitalist machine commands over art.










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